About Us/Set List/Repertoire – We are Carlton Male Voice Choir

ENROL – EXPERIENCE – ENJOY

Carlton Male Voice Choir stands as a distinguished ensemble of lower voices under the expert leadership of Musical Director Ian Watts (he/him), consistently delivering captivating performances across various genres. We prioritise inclusivity, ensuring accessibility to all while performing at a diverse array of venues, from festivals and car shows to grand concert halls and enchanting theatres, public parks, and even esteemed Minsters and Cathedrals, often in support of charitable causes via our own charity 1214041. Notably, we maintain a secular identity are not affiliated with any religious organisation, though our repertoire may include religious pieces, affirming our commitment to relevance and diversity.

Our expansive and progressive repertoire caters to a wide spectrum of musical tastes, curated meticulously to meet the demands of our flexible concert performances. Eschewing traditional attire, we opt for modern cut suits or smart/casual ensembles, embodying a contemporary approach to choral presentation. Constantly rejuvenating our sound, we incorporate new and exciting music for lower voices, complemented by occasional hymns but extending far beyond to encompass classical, jazz, pop, and opera genres. Praised as “the future of male voice singing,” we continuously strive for excellence, as evidenced by our diverse and dynamic repertoire. See our review page to see what others think of the choir.

Performing approximately 20 times annually across Nottinghamshire, our schedule includes flagship concerts at prestigious venues such as The Albert Hall and the Bonington Theatre, where we host our celebrated Festival Concerts. Beyond our local engagements, we embark on annual tours across Europe and the UK, fostering cultural exchange and musical enrichment. We also extend our hospitality to visiting choirs like the renowned Treorchy Male Choir, Northampton Male voice Choir and Dowlais Male Choir, while championing emerging talent through our own Music Competition, “Music Makers.”

At the helm of our operations, we boast a dedicated set of trustees overseeing day-to-day affairs, supported by a dynamic Music Team comprising Ian Watts, Andrew Atkinson, Philip Miles and Rebecca Williams. Committed to our charitable mission as a registered charity, and buoyed by generous sponsorship, Carlton Male Voice Choir remains steadfast in its pursuit of musical excellence and community enrichment.

Who are we? – We are Carlton Male Voice Choir, a choir of around 100 auditioned lower voice members who rehearse and perform from our base in Nottingham, performing solely and in collaboration at a wide array of venues.

What are our values? – We value the up-skilling of our members musically, our equality, diversity and inclusion, our ambition, our camaraderie and our charity work (charity 1214041). Enrol, Experience, Enjoy. We are currently looking at a branding project focusing on Members, Energy, Music and Audience.

What are our artistic goals? – To be unfailingly ambitious in promoting and educating people through the art of music, delivering our performances at a high standard of entertainment excellence.

Who are our target audience? – Everyone that enjoys hearing live music across various eras, styles and genres.

Discover our recent endeavors by exploring any of our social media links located at the bottom of this page.

Buy tickets for our any of our performances now – TICKETS

Our ethos:

We are dedicated to fostering an inclusive environment that welcomes individuals with lower voice registers, ensuring fairness and equality for all. With a diverse membership of approximately 100 singers spanning various ages (currently from 20 upwards/ave age approx 48) and representing different sexual orientations, our choir continually attracts new members, securing its future and ensuring its enduring legacy. It is our priority to mirror the diversity of the community we serve, thus extending a warm welcome to all. It is a safe place for all with a low voice (tenor/bass) to sing and perform fabulous music whilst forming friendships.

Our choir comprises four sections: First Tenor, Second Tenor, Baritone, and Bass (TTBB). All members undergo auditions following a probationary period, providing opportunities to enhance their musical skills and vocal development. We are committed to nurturing talent and facilitating personal growth within our choir community.

We take immense pride in maintaining a consistently high standard of performance, always pushing the boundaries of our own excellence. With professional management at the helm, we embrace change and foster a supportive, inclusive environment that welcomes singers from diverse backgrounds. Our choir boasts a strong social culture, where camaraderie flourishes and friendships thrive.

Each chorister is afforded opportunities for individual musical development, whether through enhancing musical theory knowledge or receiving voice training. At our core, we prioritise enjoyment and fun, cherishing the experience of singing together while simultaneously fostering personal growth. Our choir serves as a platform for building confidence, refining musical skills, and honing performance abilities, ensuring that every member has the opportunity to flourish and excel.

The choir takes great pride in being one of the few choirs in the region to secure an official record deal. With several albums available on popular digital streaming platforms, we’re thrilled to share that one of our recordings even climbed to number 67 on the iTunes digital charts! Additionally, our performances are frequently featured both live and recorded on various local media channels, further solidifying our presence and reach within the community.

Join Us?

Explore our Join Us Information Page to become a valued member of our exceptional choir and embark on an extraordinary journey with us.

The choir is registered charity No. 1214041

See our Choirs Structure

Sponsor Us?

The choir is currently looking for additional sponsorship to help us do our charity work, packages are available and more info can be found here. Thanks to our current sponsors:

SET LIST

THE GARAGE – 7:30pm 9TH MAY 2026

This event was planned as a one off ‘informal’ way to say farewell to the people of Sing For Life 26. This project draws to a close after tonights performance after raising in excess of £33,300 for Breast Cancer UK and there will be a final opportunity tonight to give a few pennies more to this brilliant charity. Sing For Life 26 was a project to bring women and upper voices together in a singing group, challenging them to learn and then perform some real choral music in Nottinghams Albert Hall, empowering these people and raising confidence all whilst raising funds for charity. Many of the people taking part have thankfully decided to continue their musical journey and form a brand new Upper Voice Choir, this new choir meets every Tuesday 7:30pm-9:30pm at Mansfield Road Baptist Church Corner of Gregory Boulevard, Forest Fields, Nottingham NG7 6JN and anyone with an upper range voice is warmly welcomed to come along and join them if they wish. Sing For Life 26 are proud to introduce their Musical Director Philippa Steel and Accompanist Rebecca Williams. The project was sponsored and organised by Carlton Male Voice Choir and therefore it felt fit to put on tonights performance (of an informal nature) with them involved, in fact, we get the opportunity tonight to perform as one large group if we can fit on stage! Carlton are conducted by Ian Watts and Andrew Atkinson, Accompanied by Philip Miles. We open the event tonight with a set of our more fun and informal music, expect the unexpected and see if we can change your concept of what a male voice choir can be in 2026! Enjoy the performances of both groups and feel free to join in, have fun, move about and get yourself a drink during our event. We also hope you’ll join us for a drink at the bar afterwards.

Philippa Steel (MD of Sing For Life 26)

Rebecca Williams (Accompanist of Sing For Life 26)

Ian Watts (MD of Carlton Male Voice Choir)

Andrew Atkinson (Assistant MD of Carlton Male Voice Choir)

Philip Miles (Accompanist of Carlton Male Voice Choir)

Tonights Set:

CARLTON MALE VOICE CHOIR

Sound The Trumpet – A great, bright and joyous way to kick off tonight’s event. Completed in 1694 by Henry Purcell for the aria ‘Come Ye Sons, Art Away‘, arranged here for 4-part male chorus by E. Markham Lee in this rousing piece composed as an offering to Queen Mary on her birthday. A wonderfully enjoyable piece to perform live and we hope it gets us all in the mood for a great night.

Happy – ‘It might seem crazy what I’m about to say’…an upbeat and positive piece of all out pop by Pharrell Williams and released as a sound track single from the fabulous film ‘Despicable Me 2’ in 2013. Our accompanist Phil gives us a bit of dance vibe electric piano on this one and we hope it gets you in the mood for a fun evening!

The Phantom of the Opera – soloist: Sei Wong – An arrangement of the title piece from Andrew Lloyd Webbers West End/Broadway masterpiece, arranged for lower voices by Always Humphreys. the show was adapted by the 1910 novel by Gaston Leroux about the strange events of a Paris Opera House. The continual key changes provide increasing tension and drama as the phantom takes Christine to his lair by boat deep below the theatre. Watch out for the illusive Phantom in case he chooses you!

With Cat-Like Tread – soloist: André Paiva – From Gilbert and Sullivan’s operetta The Pirates of Penzance (1879), With Cat-Like Tread introduces the Pirate King and his band of pirates with mock-dramatic flair. The music parodies grand operatic style, combining loud and playful opening phrases with bold, swaggering choruses. Its sudden contrasts, rhythmic vitality, and playful exaggeration capture Gilbert and Sullivan’s distinctive wit, making the number both theatrically engaging and musically exhilarating when presented it the right style. André takes the part of the Pirate Captain with choreography from our own Adrian Davies.

Let It Go – soloist: Per-Daniel Traeff – From Disney’s ‘Frozen’, Let It Go has become an iconic anthem of self-expression and personal freedom. Originally performed by Idina Menzel as Queen Elsa, the song’s soaring melodies and emotional intensity have captured audiences worldwide. In this arrangement by Mac Huff, featuring a soprano solo sung tonight by the outstanding ‘PD’, the choir provides rich harmonic support while the soloist carries the dramatic narrative, creating a powerful and uplifting performance full of energy, colour, and theatrical flair. Who says a male voice choir couldn’t do Disney Princess!

Songs Of The Wizard – Songs of the Wizard, arranged by Gary Eckert, is a lively and characterful medley drawn from the musicals and films Wicked (both parts). Bringing together several of the film’s most recognisable songs, the arrangement captures both the warmth and whimsy of this much-loved classic. Eckert’s skilful writing makes full use of the male voice choir’s colour and energy, moving playfully between moments of humour, lyricism, and bold ensemble singing, and creating an engaging tribute to one of musical cinema’s enduring favourites. Our basses take the lead in this one. You will hear more from this musical from Sing For Life 26 in the second part of tonights event!

My Heart Will Go On – Written by James Horner with lyrics by Will Jennings for the 1997 film Titanic, this piece became one of the most recognisable songs of the late twentieth century. Sung memorably by Céline Dion, the song’s soaring melody and heartfelt text speak of enduring love, memory, and resilience beyond loss. In choral arrangement by Alan Simmons, its long lyrical lines and expansive harmonies allow the emotional intensity of the music to unfold with warmth and poignancy, making it a powerful and reflective concert piece for a lower voice choir.

I Swear– Carlton go all ‘boy band’ with a version of this hit for the American artists All-4-One. Expect to see some indications of this songs boy band links, but fun aside, what a lovely piece of music!

We All Stand Together – Written and performed by Paul McCartney for the 1984 animated film Rupert and the Frog Song, We All Stand Together is a cheerful celebration of friendship, unity, and community. With its light-hearted melody and optimistic message, the song quickly became a much-loved favourite. In our choral setting arranged by Jetse Bremer, its simple charm and gentle humour shine through, offering a moment of warmth and nostalgia that reminds us of the joy and fun of singing together. This arrangement was brought to the choir by Tenor Stewart Philpott and feature some bass ‘soloists’ and operatic tenors, have fun!

Circle Of Life – Soloist: Geoff Brooks – From Disney’s The Lion King, Circle of Life opens the story with one of musical theatre’s most iconic and powerful moments and we will portray that in ‘the Carlton way’. The song reflects themes of renewal, connection, and the continuity of life. In this arrangement by John Trent Wallace, the music’s rhythmic drive and expansive harmonies are shaped to suit choral forces, capturing both the drama and the sense of awe that have made the piece so instantly recognisable and enduringly popular. A very tricky arrangement to pull off properly requiring two conductors at points.

The Awakening – Carlton don’t just sing pop and show music, we also have an amazing repertoire of purely choral music which we perform in a more formal setting, at festival halls, etc, we’d love you to join us at our next concert at Wollaton Great Hall on Sunday 17th May 2026 @ 1pm (see our set for this concert below) where we will perform all of this music, but here we give you a taste of the power of a male voice choir at full tilt. This outstanding piece of high quality choral music was composed by Joseph Martin for the 20th anniversary of TCDA (Texas Choral Directors Association). It was written to celebrate a “journey back to joy” following a harrowing and awful personal experience for the composer. It is composed in 3 sections all of which take the singer and the listener on this journey in a relatable way. The piece was introduced to us by the talented Stephen Bell (Musical Director of the Northampton Male Voice Choir) and our MD Ian was immediately captivated by the piece with an immediate and clear knowledge of how it would translate under his own choral direction.

Viva La Vida – we complete our set tonight with the Coldplay classic hit sung ala Male Voice Choir; a piece used in both 2024 and 2025 for the Nottingham Men Allowed concerts, with its rousing chorus, syncopated rhythms and singalong final chorus which draws to a gentle conclusion. The piece works well as a concert opener or as in this case a closer. Please feel free to sing along!

15 minute INTERVAL

SING FOR LIFE 2026

Sweet Dreams (Are Made Of This) – A bold and imaginative reworking of a classic pop anthem, Sweet Dreams (Are Made of This) transforms the familiar into something haunting, rhythmic, and unexpectedly profound in a choral setting. Driven by its iconic pulse, the piece explores themes of desire, ambition, and the universal search for meaning. Layered vocal textures replace electronic sounds, creating a rich tapestry of harmony and tension that builds throughout the performance. As voices intertwine, the choir captures both the hypnotic repetition and underlying emotional complexity of the original song. Moments of intensity give way to softer, more introspective passages, inviting listeners to reflect on the nature of dreams—what drives us, what eludes us, and what ultimately connects us all. This arrangement offers a fresh perspective on a well-known work, showcasing the expressive power and versatility of the human voice.

Defying Gravity – A soaring anthem of self-discovery and courage, Defying Gravity comes from the acclaimed musical Wicked, with music and lyrics by Stephen Schwartz. In this powerful choral arrangement, the story of Elphaba’s transformation unfolds through sweeping melodies and dynamic contrasts, capturing the moment she chooses to embrace her true identity—no matter the cost. The choir brings to life the song’s emotional arc, beginning with quiet determination and building to an exhilarating declaration of independence. Rich harmonies and layered textures mirror the character’s inner conflict and ultimate resolve, while the climactic moments radiate strength and defiance. Defying Gravity stands as a celebration of individuality, resilience, and the courage to rise above expectations, leaving a lasting impression of hope and empowerment – perfect for what Sing For Life 26 achieved together.

Firefly – A shimmering and expressive work by Andy Beck, Firefly captures the quiet magic of light flickering in the darkness. With delicate melodies and gently shifting harmonies, the piece evokes the image of fireflies dancing on a warm evening, their glow both playful and mysterious. The choir weaves a luminous soundscape, blending voices to mirror the natural ebb and flow of these tiny lights. Dynamic changes and lyrical phrasing invite listeners into a moment of stillness and wonder, where even the smallest spark can illuminate the night. Firefly celebrates beauty in simplicity, offering a peaceful and enchanting contrast within tonights program.

Sing For Life Mash Up – join us as we light up the room with a mash up of 4 well known pop tunes with a section of Sing For Life 26 taking a song each, it’s amazing how this works…but somehow it does thanks to our Musical Director Philippa Steel. Feel free to join us and sing and clap along with these tunes!

You Raise Me Up – A timeless song of encouragement and gratitude, You Raise Me Up has resonated with audiences around the world through its message of strength found in connection with others. Popularised by Josh Groban, the song features music by Rolf Løvland and lyrics by Brendan Graham. In this choral setting, the piece unfolds with a gentle, reflective piano opening by accompanist Rebecca Williams that gradually blossoms into a powerful, full-voiced expression of hope. Warm harmonies and expressive phrasing highlight the text’s message of support and uplift, as the choir moves from intimacy to grandeur. You Raise Me Up offers a heartfelt moment of inspiration, reminding listeners of the profound impact we can have on one another.

SING FOR LIFE 26 & CARLTON MALE VOICE CHOIR TOGETHER

Seal Lullaby – a beautiful but challenging contemporary choral piece by Eric Whitacre that sounds of waves rolling. A quiet and understated choral delivery allows the beautiful accompaniment to play its part magically as we ‘hush the baby’ with this gorgeous lullaby. The piece was chosen for Sing For Life in the knowledge that Carlton Male Voice Choir could perform it with them. The joining of upper and lower voices should give this performance a one-off unique sound never to be heard again.

They Can’t Take That Away From Me – both choirs take on a bit of swung jazz with this toe tapping piece from Ira and George Gershwin. Feel the intimacy of the jazz clubs as the choirs sing the song about the memory of a one night stand! I suppose it sums up the evening as we close the project on Sing For Life 26. It includes some incredible brass like sforzandos and even has well timed movement from the choirs as they swing the night to its inevitable conclusion.

Thank you for joining us tonight, we hope you enjoyed the performance. Carlton Male Voice Choir and the Sing For Life project team would like to say a massive well done to every singer of Sing For Life 26 for joining the project, giving their very best and raising an astounding amount of money for Breast Cancer UK, we hope you enjoyed yourself, learnt a bit about your voice and about the joy of music! We wish you well in the future.

The Best of HANS ZIMMER & FILM FAVOURTIES at NOTTINGHAM ALBERT HALL

Saturday 10th October 2026, 7pm-8.10pm

We would like to draw your attention to a brilliant Musical Event happening in our city with THE BEST OF HANS ZIMMER and FILM FAVOURITES – Saturday 10th October 2026, 7pm-8.10pm – performed by the highly acclaimed Candlelight Orchestra and Peterborough Voices, with over 80 musicians on stage conducted by Will Prideaux. Will and his choirs lead the way in choral excellence and this concert is bound to be simple amazing.

Featuring themes from AVATAR – LORD OF THE RINGS – JURASSIC PARK – ET – TITANIC – GLADIATOR – STAR TREK – JAMES BOND – SCHINDLER’S LIST – JAWS – LION KING – FROZEN – INTERSTELLAR – HARRY POTTER – STAR WARS – and MORE!

BOOK NOW and make memories that last a lifetime!

SET LIST

HARMONY AT THE HALL

WOLLATON GREAT HALL – 1pm 17TH MAY 2026

At the wonderful Wollaton Hall we use the amazing acoustics of this amazing hall to perform a selection of our more formal repertoire; you may have seen us recently at The Garage in Beeston where we performed the other side of our repertoire? Today we have the chance to perform this beautiful music for you including some favourites from last year and some brand new items for 2026. Today we get the chance to perform a brand new piece of music called THE STORM (THEY CAN’T CONTAIN) with lyrics composed by one of our own members, plus we perform the gorgeous CANTIQUE DE JEAN RACINE for the very first time. Another first for today is the chance to let our ‘smaller choir’ variants perform some pieces, this is something we introduced in 2026 in order to perform music that may not suit the full choir. But above all we are proud to present our guest for today Mezzo Soprano Katharine Dryden, who will perform with the smaller choir and also solo backed on the piano by our Accompanist Philip Miles. Sit back, relax and enjoy some Harmony at the Hall.

Our Guest – Katharine Dryden (Mezzo Soprano)

THE FINNISH FOREST – the return to our repertoire of a wonderful piece with a challenging accompaniment and vocal lines written by Bryan Davies an accompanist and arranger from Ferndale, Rhondda. The title translates in Finnish to Suomen Salossa with its joyous and carefree chorus of ‘Hoilaari, Laa’ and the piece is used to open todays event.

JAMIE’S ON THE STORMY SEA – a beautiful folk song that tells of the maiden waiting for Jamie to return from the sea. Arranged by Matthew P. Jones for Peterborough Male Voice Choir and inspired again by Northampton Male Voice Choir’s performance. Solo by Stewart Philpott.

LET ME LISTEN – Written by Dan Forrest as a statement of support and ally ship with BIPOC (Black and Indigenous People Of Colour). We are often too full of our own path to stop and listen to the needs of others, failing to hear someone else’s viewpoint who may be different in some way to ourselves. We believe that this outstanding piece captures the essence of the changing face of our lower voice choir as we quickly diversify and support each other whatever our culture, sexuality, disabilities or needs. An immediate hit with the choir from its first sing through and we are sure you will love it too.

O LOVE – a piece which has quickly become a choir favourite, written by the American composer Elaine Hagenburg around the George Matherson lyrics to the hymn O Love That Wilt Not Let Me Go. The lingering dissonance reminds us of past heartache however the promise remains: “morn shall tearless be”.

GOOD NIGHT DEAR HEART – From the notes of the composer Dan Forrest which say everything: A few years ago, my brother and his wife found out that the four month old girl that they were soon to adopt from Ethiopia had fallen ill and passed away. They had been making plans for her, staring endlessly at her picture, and loving her from across the ocean, so the news was devastating. God’s plans were not for her to ever see the people who had loved her from halfway around the world, but for her to be taken instead to His loving arms. For me, life circumstances (whether euphoric or tragic) don’t usually translate into musical inspiration; the two typically remain separate. The night they received this news, though, I found myself longing to pour out a musical elegy. My search for a suitable text led me to a picture from a cemetery in my hometown (Elmira, NY), where the great American author Mark Twain and his family are buried. My brother and I, from our youth, have known the poem that Twain placed on the tombstone of his beloved daughter Susy, when she died unexpectedly at age 24 and left him heartbroken. I was stunned by the bittersweet irony of this text being from our hometown, and in honor of a beloved daughter who died unexpectedly. I wrote this setting that night; it was quickly added to an upcoming concert and premiered only one week later, as an elegy for Etsegenet and a reminder of the orphans of Ethiopia.

THE STORM (YOU CAN’T CONTAIN) – Today marks this brand new pieces’ inaugural performance. The celebration and encouragement of natural talent within the choir is something I hold as vital. When Robbie Jaques (Tenor 2) shared a set of deeply personal and powerful lyrics with me, reflecting on his journey of self-discovery and the challenges of defining his sexuality during a time of change in UK society, it felt only right to give those words a musical voice. The musical setting of Robbies lyrics was composed by the brilliant Michael Betteridge, Musical Director of the LGBTQ+ Choir from Manchester: The Sunday Boys. Michael visited the choir in rehearsal recently to help us prepare the piece ready for today. Please give a big hand to Robbie Jaques at the conclusion of the piece for his outstanding contribution to the work of this choir.

Robbie Jaques

MY HEART WILL GO ON – Written by James Horner with lyrics by Will Jennings for the 1997 film Titanic, this piece became one of the most recognisable songs of the late twentieth century. Sung memorably by Céline Dion, the song’s soaring melody and heartfelt text speak of enduring love, memory, and resilience beyond loss. In choral arrangement by Alan Simmons, its long lyrical lines and expansive harmonies allow the emotional intensity of the music to unfold with warmth and poignancy, making it a powerful and reflective concert piece for a lower voice choir.

THE FISHERMEN OF ENGLAND – A vivid and characterful sea song, The Fishermen of England by Montague F. Phillips is drawn from the musical context of The Rebel Maid, a larger work associated with choral and operatic traditions of early 20th-century British music. In this excerpt, Phillips sets an energetic and atmospheric depiction of England’s fishing communities, using bold rhythms and sweeping melodic lines to evoke the motion and power of the sea. The choir brings to life the contrast between toil and triumph, with driving passages that suggest the relentless waves and more lyrical moments that reflect pride, unity, and resilience. The Fishermen of England stands as a spirited and evocative ensemble piece, rich in maritime colour and dramatic contrast, offering a rousing snapshot of life bound to the sea and a great conclusion to the first half of todays performance.

INTERVAL

A SELECTION OF SINGERS FROM CARLTON MALE VOICE CHOIR

WITH OUR GUEST KATHERINE DRYDEN

WIE SCHON BIST DU – A radiant expression of admiration and joy, Wie schön bist du (“How beautiful you are”) is a charming work by Robert Schumann. Drawing on poetic imagery and Romantic lyricism, the piece reflects a deep appreciation for beauty—both in nature and in human connection. In performance, the cut down choir brings warmth and elegance to Schumann’s flowing melodies and rich harmonies. Gentle phrasing and expressive dynamics highlight the tenderness of the text, while the interplay of voices creates a sense of intimacy and sincerity. Wie schön bist du offers a moment of quiet reflection and heartfelt appreciation, adding a touch of classic Romantic beauty to the program.

THE LONG DAY CLOSES – A serene and contemplative work by Arthur Sullivan, The Long Day Closes sets a tender text by Henry Fothergill Chorley. Often interpreted as a gentle farewell, the piece reflects on the close of day as a metaphor for rest, peace, and the passage of life. The smaller choir’s rich, sustained harmonies create a warm and enveloping sound, unfolding slowly with a sense of stillness and reverence. Subtle dynamic shifts and carefully shaped phrases allow the music to breathe, inviting listeners into a moment of quiet introspection. The Long Day Closes offers a poignant close or reflective pause within a program, leaving an atmosphere of calm and enduring beauty.

STÅNDSCHEN – A lively and expressive part-song by Franz Schubert, Ständchen (“Serenade”) captures the spirit of a heartfelt evening song offered beneath a beloved’s window. Set to a poetic text by Ludwig Rellstab, the music conveys both longing and gentle devotion, hallmarks of Schubert’s lyrical style. In this choral setting, flowing melodies and rich Romantic harmonies create an atmosphere of warmth and intimacy. The voices move gracefully between tender, hushed passages and more impassioned moments, reflecting the emotional nuance of the serenade. Ständchen invites listeners into a world of quiet romance and expressive beauty, offering a charming glimpse into Schubert’s gift for song. Katharine Dryden takes the solo backed by a select group of choir members.

JEG ELSKER DIG – Our guests for today Katherine Dryden (accompanied by Philip Miles) now takes over with a heartfelt declaration of love, Jeg elsker dig (“I love you”) is a lyrical work by Edvard Grieg, set to a tender poem by Hans Christian Andersen. Rooted in the Romantic tradition, the piece expresses deep affection with both sincerity and elegance. Jeg elsker dig offers a touching and expressive moment in the program, celebrating the beauty and simplicity of love.

WHERE CORALS LIE – A richly evocative part-song by Edward Elgar, Where Corals Lie sets a poem by Richard Garnett that reflects on longing, beauty, and the allure of distant, unattainable dreams. Originally from Elgar’s song cycle Sea Pictures, the music carries a gentle, undulating motion reminiscent of the sea itself. Moments of stillness contrast with fuller, more expansive passages, capturing the poem’s sense of wonder and wistfulness. Where Corals Lie offers a reflective and atmospheric addition to the program, inviting listeners to drift into its tranquil, ocean-inspired world with the gorgeous voice of Katharine Dryden.

CARLTON MALE VOICE CHOIR

SOUND THE TRUMPET – completed in 1694 by Purcell for the aria ‘Come Ye Sons, Art Away’, arranged here for 4-part male chorus by E. Markham Lee in this rousing piece composed as an offering to Queen Mary on her birthday. A wonderfully enjoyable piece to perform live.

WITH CAT-LIKE TREAD – From Gilbert and Sullivan’s operetta The Pirates of Penzance (1879), With Cat-Like Tread introduces the Pirate King and his band with mock-dramatic flair. The music parodies grand operatic style, combining loud and playful opening phrases with bold, swaggering choruses. Its sudden contrasts, rhythmic vitality, and playful exaggeration capture Gilbert and Sullivan’s distinctive wit, making the number both theatrically engaging and musically exhilarating when presented it the right style.

CIRCLE OF LIFE – From Disney’s The Lion King, Circle of Life opens the story with one of musical theatre’s most iconic and powerful moments. The song reflects themes of renewal, connection, and the continuity of life. In this arrangement by John Trent Wallace, the music’s rhythmic drive and expansive harmonies are shaped to suit choral forces, capturing both the drama and the sense of awe that have made the piece so instantly recognisable and enduringly popular. A very tricky arrangement to pull off properly.

SONGS OF THE WIZARD – Songs of the Wizard, arranged by Gary Eckert, is a lively and characterful medley drawn from the musicals and films Wicked (both parts). Bringing together several of the film’s most recognisable songs, the arrangement captures both the warmth and whimsy of this much-loved classic. Eckert’s skilful writing makes full use of the male voice choir’s colour and energy, moving playfully between moments of humour, lyricism, and bold ensemble singing, and creating an engaging tribute to one of musical cinema’s enduring favourites.

THE PHANTOM OF THE OPERA – An arrangement of the title piece from Andrew Lloyd Webbers West End/Broadway masterpiece, arranged for lower voices by Always Humphreys. the show was adapted by the 1910 novel by Gaston Leroux about the strange events of a Paris Opera House. The continual key changes provide increasing tension and drama as the phantom takes Christine to his lair by boat deep below the theatre.

CANTIQUE DE JEAN RACINE – Composed by Gabriel Fauré in 1865, Cantique de Jean Racine is a serene and deeply expressive sacred work, setting a French paraphrase of a Latin hymn text. Renowned for its flowing melodic lines and gentle harmonic richness, the piece reflects Fauré’s gift for lyrical elegance and quiet devotion.

THE AWAKENING – This outstanding piece of high quality choral music was composed by Joseph Martin for the 20th anniversary of TCDA (Texas Choral Directors Association). It was written to celebrate a “journey back to joy” following a harrowing and awful personal experience for the composer. It is composed in 3 sections all of which take the singer and the listener on this journey in a relatable way. The piece was introduced to us by the talented Stephen Bell (Musical Director of the Northampton Male Voice Choir) and our MD Ian was immediately captivated by the piece with an immediate and clear knowledge of how it would translate under his own choral direction.

GWINLLAN A RODDWYD (THIS LAND OF MINE) – a rousing piece of patriotic music for the choir composed by Caradog Williams. The piece raises the call for protecting your own land in order to pass onto future generations and is highly rousing and staring. A slight nod to the Welsh origins of this piece is presented antiphonally in Welsh during the opening and mid point as solos by Nicholson Dye, but the choir performs the piece in English.

CONCERT REPERTOIRE 2026

We perform a wide a varied repertoire to cover the equally wide and varied concert requirement from a festival hall to a beer festival:

ADSPICE DOMINE (OP121) – CUT DOWN GROUP – Mendelssohn’s Adspice Domine is a short sacred motet setting the ancient Latin text meaning “Look upon us, O Lord.”Unlike Renaissance polyphonic settings, Mendelssohn treats the text through a Romantic lens, combining classical clarity with deep emotional restraint — dignified, sincere, and deeply moving in its simplicity. It stands as a bridge between the sacred traditions of the past and the emotional sensitivity of the Romantic era, offering a moment of calm, unified prayer for both singers and listeners.

ALWAY SOMETHING SINGS – A challenging contemporary classical piece by American Composer Dan Forrest stating that not only in the old or young, fair or foul but in everything around us something is always singing! Featuring a beautiful ‘antiphonal’ part sung by the soloist from a different area within the performance space when possible. One of two pieces sung by this brilliant composer.

ALWAYS LOOK ON THE BRIGHT SIDE OF LIFE – Words and music by Python and comedian Eric Idle, arranged for male voices by Mac Huff. This brilliant piece of genius by Idle works fabulously in concerts both formal and informal and shows we can let our hair down. Our soloists act out the parts beautifully and with its singalong and whistle along chorus which is sure to bring a smile to your face!

ALWAYS ON MY MIND – a lower voice version of a brilliant well known love song first recorded by Brenda Lee in 1972 but made famous by Elvis Presley in 1972 and Willie Nelson in 1982. This song crosses the genres having charted in both Country and Western and pop hot parades.

AVE VERUM CORPUS – CUT DOWN GROUP – Composed by William Byrd in the late 16th century, Ave Verum Corpus is a short but exquisitely serene motet, setting the Eucharistic text with remarkable simplicity and devotion. Its flowing lines and gentle harmonies have made it a cornerstone of sacred choral repertoire. This arrangement for lower voices is by Hilda Morgan (1913–1998), a respected British choral conductor and arranger known for her sensitive and idiomatic writing for male voices. Morgan’s adaptation preserves the purity and intimacy of Byrd’s original while enriching it for a lower-voice ensemble, highlighting the depth and warmth of the choir’s sonority.

BEATI MORTUI – 55 bars of beautifully constructed music sung “Andante Sostenuto”, a cappella, written in the romantic era for male voices by Felix Mendelssohn (Opus 115 – No.1). Lyrics are in Latin: Beati mortui in Domino morientes deinceps. Dicit enim spiritus, ut requiescant a laboribus suis et opera illorum sequentuur ipsos. Translated as: Blessed are the dead which die in the Lord from henceforth: “Yea, saith the Spirit, that they may rest from their labours; and their works do follow them”. The piece was written as a pair of pieces with Periti Autem (See below).

BELLA CIAO – “Goodbye Beautiful”. Fast becoming a favourite of the choir as we pull together this fun piece sung in Italian, cleverly suggested to the choir by new bass Carl Nixon. The piece, which is in a bouncy 2/4 time and in the key of F Minor was dedicated to the Italian Resistance who fought against the German occupation in WWII, it was however based upon a folk song originally sung by female workers in the paddy fields in protest of their poor working conditions. The song has stood the test of time and could be heard sung between people over their balconies in Italy as a statement of solidarity during the recent Covid 19 lockdown period. Expect to see a solo clarinetist perform on occasion.

CAN YOU FEEL THE LOVE TONIGHT? – From Disney’s The Lion King, this song by Elton John and Tim Rice is a tender and romantic ballad that beautifully captures the blossoming love between Simba and Nala. In this arrangement by John Trent Wallace, the choir brings out the warmth and lyrical beauty of the melody, with harmonies that enhance its emotional richness. The result is a moving and expressive performance that celebrates the song’s timeless charm and heartfelt sentiment.

Performed here in an arrangement for lower voices with piano and violin, and sung in English by Carlton Male Voice Choir, the music’s reflective character is enhanced by the warmth and depth of the vocal writing, with the instrumental lines adding subtle colour and intimacy to this timeless work.

DIE NACHT (WIE SCHON BIST DU) (D983C) – CUT DOWN GROUP – Die Nacht is a short, lyrical part-song by Franz Schubert, whose subtitle “Wie schön bist du” (“How beautiful you are”) captures the essence of the work. It is a quiet meditation on night as something gentle, protective, and deeply beautiful, rather than dark or threatening. It is a brief but deeply affecting work that celebrates quiet beauty and inner peace. It shows Schubert at his most tender, reminding us that profound emotion can be conveyed with the simplest musical means. A beautiful piece written for male voices from the Romantic era by Schubert sung a cappella in German.

GWAHODDIAD – a well known piece by Lewis Hartsough arranged by John Tudor Davies for Male Voice Choirs, the piece is a real beauty with lyrics that say ‘I am coming’ and to wash me in Thy blood as I enter your kingdom.

HAPPY – ‘It might seem crazy what I’m about to say’…an upbeat and positive piece of all out pop by Pharrell Williams and released as a sound track single from the fabulous film ‘Despicable Me 2’ in 2013.

HEART OF GOLD – this piece for the choir written by Neil Young has quickly become a favourite for the singers and audiences with its catchy refrain and mid sections that show off the choirs vowel tone production, it is also an afterparty favourite.

HELP ME RHONDA – this bouncy piece written by Beach Boys Brain Wilson and Mike Love as an attempt to fend off the British Musical Invasion can lift any concert with thoughts of the summer and perhaps even surfing for those more daring!

IF TOMORROW WERE YOUR NEXT LIFE – Composed by Ching-Ju Shih, this contemporary piece blends lyrical beauty with emotional depth, exploring themes of love, reflection, and the passage of time. In this performance, the work is partly sung in English and partly in Mandarin, with the assistance of 2nd tenor Flame Kho on translation (with licence from the composer). The Carlton Male Voice Choir’s careful attention to language, phrasing, and expression allows both the English and Mandarin sections to shine, creating a moving and culturally rich musical experience. We are proud and honoured to be the first UK choir to deliver this piece.

I GET AROUND – a bouncy early Beach Boys classic penned by Brian Wilson and Mike Love which includes handclaps from the choir, some mock American accents and a short and sharp impact ending – make sure you bring your surfboard to the concerts!

IN FLANDERS FIELDS – A beautiful and stirring piece written by local composer and friend of Carlton Male Voice Choir Robert Steadman around the famous poem of Remembrance. Each musical phrase brings the words alive in such a moving way. The piece was sung by our choir in years gone by at the Menin Gate in Ypres, we resurrected it in 2025 for our new audiences to enjoy.

I SWEAR – The choir go all ‘boy band’ with a version of this hit for the American artists All-4-One. Expect to see some indications of this songs boy band links, but fun aside, what a lovely piece of music!

LET IT BE ME – a standard for the choir, often brought out to entertain in concerts and often sung in the pub afterwards! This French lullaby was written by Gilbert Becaud and made famous by The Everley Brothers in 1957.

LET IT GO – From Disney’s Frozen, Let It Go has become an iconic anthem of self-expression and personal freedom. Originally performed by Idina Menzel as Queen Elsa, the song’s soaring melodies and emotional intensity have captured audiences worldwide. In this arrangement by Mac Huff, featuring a soprano solo, the choir provides rich harmonic support while the soloist carries the dramatic narrative, creating a powerful and uplifting performance full of energy, colour, and theatrical flair.

MAKE YOU FEEL MY LOVE – Words and Music by the legendary Bob Dylan, this beautiful arrangement by Ian Assersohn delivers its melody via the Second Tenors.

MAN IN THE MIRROR – Originally recorded by Michael Jackson, Man in the Mirror is a heartfelt call for personal reflection and positive change. In this arrangement by Ed Lojeski, the choir captures the song’s inspirational message through rich harmonies, dynamic contrast, and thoughtful phrasing. The result is a powerful and uplifting performance that highlights both the music’s emotional depth and its timeless appeal. An adaption has been made to the verses to feature soloists.

MEDLEY ON SEA SHANTIES – his spirited Medley on Sea Shanties brings together a selection of traditional sailors’ work songs, whose strong rhythms and memorable melodies were originally sung to accompany life at sea. The arrangement is by Leslie Woodgate (1896–1961), a distinguished English conductor, organist, and choral arranger, best known for his long association with the BBC Singers. Woodgate had a particular gift for writing idiomatically for voices, and his arrangements are admired for their clarity, energy, and musical integrity. Here, the robust character of the shanties is combined with skilful choral craftsmanship, resulting in a piece that is both engaging and full of character. This offering gives the choir chance to show off many different soloists.

MOONLIGHT SONATA (ODE TO THE FATHER) – Our Musical Director performed many times as a live musician with the composer/arranger of this piece of music. Matt Williams has taken Beethoven’s classic sonata and set it against two melodies, one which follows the well known melody of the piece and a brand new counter melody. Matt, with little experience in scoring used the talents of another local composer and choir friend David Machell to translate his musical visions into musical score that the choir can sing from. This piece will be amazing when taken on later in 2025.

MORTE CRISTE – Carlton MVC love performing this well known male voice piece written specifically for lower voices by Emrys Jones to Issac Watts’ infamous lyrics of the passion tide ‘When I Survey The Wondrous Cross’.

NESSUN DORMA – From Giacomo Puccini’s final opera Turandot (1926), Nessun dorma is one of the most famous arias in the operatic repertoire. Sung by Prince Calaf as he awaits the dawn, the aria expresses quiet determination that grows into triumphant certainty. Arranged here by Alan Simmons for lower voices, Puccini’s soaring melody and rich harmonies are shared across the ensemble, allowing the dramatic intensity and noble climax of the music to be experienced collectively, while preserving the aria’s sense of anticipation and ultimate victory. our arrangement is presented partly in English and partly in its mother tongue of Italian.

OUR HOUSE – A rare choir piece that features our bass section, enjoy the relaxed melody of the song from Graham Nash with its lazy tongue in cheek ‘la la la’ middle section.

PERITI AUTEM – 71 bars of beautifully constructed music sung “Allegro Vivace”, a cappella, written in the romantic era for male voices by Felix Mendelssohn (Opus 115 – No.2). Lyrics are in Latin: Periti autem fulgebunt ut fulgor aethereus. Quique multos reddiderunt justos erunt stellarum similes, in omnem aeternitatem. Translated to English from (King James Bible; Daniel 12:3) as: And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. The piece was written as a pair of pieces with Beati Mortui (See above).

RULE THE WORLD – Originally written and recorded by Take That, Rule the World is a modern anthem of hope, reflection, and quiet optimism. Arranged by Craig James and adapted specifically for this choir by Musical Director Ian Watts, the song takes on a broader, more expansive character in its choral setting with further solo work. Rich harmonies and a gradual build allow the music’s sense of aspiration and emotional warmth to unfold, offering a reflective and uplifting item in any programme.

SEAL LULLABY – a beautiful but challenging contemporary choral piece by Eric Whitacre that sounds of waves rolling. A quiet and understated choral delivery allows the beautiful accompaniment to play its part magically.

STANDSCHEN – CUT DOWN GROUP – Ständchen (D889) (German for “Serenade”) is one of Franz Schubert’s most famous and beloved songs. It comes from his final song collection, Schwanengesang (1828), written in the last year of his life. The poem, by Ludwig Rellstab, is a gentle nocturnal love song. A lover stands outside at night, quietly serenading the beloved and inviting them to come out and share a moment of intimacy and peace. Ständchen stands as a perfect example of Schubert’s genius for uniting poetry and music. It captures a fleeting human moment — a quiet plea for love in the stillness of night — and turns it into something timeless, intimate, and deeply moving.

STARS – From the musical Les Misérables, Stars is sung by Javert as a moment of stern reflection and unwavering moral certainty. The song’s steady pulse and noble melodic lines mirror the character’s rigid sense of justice and order. In this arrangement for lower voices by Roger Emerson, the music gains additional depth and gravity, with the rich sonorities of the ensemble reinforcing the solemn, resolute character of this powerful musical theatre aria.

THE FISHERMEN OF ENGLAND – the choice to include this folk song was inspired by a new member of the choir Rich Wisker. Rich has a fabulously diverse love of different types of music and a deep love of folk. Numerous conversations on the subject prompted the hunt for some folk music from deep in the choir’s library and this piece popped up. It has an amazingly difficult accompaniment part and provides a full out, relentless choral belt of a sing.

THE SLOOP JOHN B – a traditional Bahamas Folk Song with a calypso feel made famous by the Beach Boys on their smash album Pet Sounds. The song is based around the traditional story of a ship called the Sloop John B and describes the goings on aboard with various crew members and the need to go home! This piece can also be performed a cappella at the pub.

THE STORM (YOU CAN’T CONTAIN) – The celebration and encouragement of natural talent within the choir is something I hold as vital. When Robbie Jacques (Tenor 2) shared a set of deeply personal and powerful lyrics with me, reflecting on his journey of self-discovery and the challenges of defining his sexuality during a time of change in UK society, it felt only right to give those words a musical voice.

Following a suggestion from Will Prideaux, Musical Director of Peterborough Male Voice Choir, we were introduced to composer Michael Betteridge, Musical Director of Manchester’s LGBTQ+ low-voice ensemble, The Sunday Boys. Michael’s creative insight and sensitivity quickly brought Robbie’s lyrics to life in a beautiful way and from this collaboration emerged a bold and moving new work: The Storm (You Can’t Contain).

THEY CAN’T TAKE THAT AWAY FROM ME – the choir takes on a bit of swung jazz with this new piece from Ira and George Gershwin. Feel the intimacy of the jazz clubs as the choir sings the song about the memory of a one night stand! Includes some incredible brass like sforzandos and even has well timed movement from the choir as they swing.

THE LONG DAY CLOSES – CUT DOWN GROUP – as part of our repertoire choice we enjoy delving back into our gigantic musical library to find pieces that will again challenge the choir as we find ourselves in 2025. This piece was written back in 1868 to lyrics by Henry Fothergill Chorley and set to music by Arthur Sullivan and WOW, can you tell! It is so typical of his wonderful Victorian style! The song was taken up by choirs as what was known back then as a ‘part song’; pieces sung in block harmony, with the highest part carrying the melody, rather than contrapuntal form such as a madrigal which was very popular at the time. The lyrics form a meditation on Death and the song was used in the 1992 British film of the same title.

VIVA LA VIDA – the Coldplay classic hit sung ala Male Voice Choir; a brand new piece for Carlton learnt during 2022 for the 70th anniversary of our friends at Bestwood Male Voice Choir, with its rousing chorus, syncopated rhythms and singalong final chorus which draws to a gentle conclusion. The piece works well as a concert opener or encore.

WE ALL STAND TOGETHER (FROG SONG) – Written and performed by Paul McCartney for the 1984 animated film Rupert and the Frog Song, We All Stand Togetheris a cheerful celebration of friendship, unity, and community. With its light-hearted melody and optimistic message, the song quickly became a much-loved favourite. In our choral setting arranged by Jetse Bremer, its simple charm and gentle humour shine through, offering a moment of warmth and nostalgia that reminds us of the joy and fun of singing together.

WIDE OPEN SPACES – this piece by Canadian composer Sarah Quartel reflects on life’s adventures within us and around us and includes elements of the major blues scale where both the major and minor 3rd are employed. A unison melody opens up into rich harmony.

YOU DO NOT WALK ALONE – an excellent piece written by a favourite composer of the choir Elaine Hagenburg. This Irish Blessing with its Celtic feel and influences was chosen carefully by Carlton Male Voice to support its fast changing face of diversity and the support required within the choir for others as we work as one. Its melody ascends and descends over the Irish hillsides as the voices gradually build and swell together. The piece contains a stunning key change from E major to F Major and it is delivered in an amazing way. To us the piece offered comfort in a time of uncertainty in the form of a gentle singing lark and reminds us that we can endure change and hard times together.

CHRISTMAS REPERTOIRE

A BABE WAS BORN – A lovely locally written piece.

A MERRY LITTLE CHRISTMAS – is a medley of delightful Christmas favourites arranged for lower voices with intricacy around a stunning accompaniment. We hear the choir sing Jingle Bells with intense dynamics into a smooth Have Yourself A Merry Little Christmas into Winter Wonderland, Let It Snow! Let It Snow! Let It Snow! over White Christmas, finally returning to a briskly paced Jingle Bells in waltz time to finish off. See if you can spot the hint of O Come All Ye Faithful and Deck the Hall within the piano accompaniment too!

ANGELS WE HAVE HEARD ON HIGH – with a long Gloria!

BOARS HEAD CAROL – A traditional piece performed in 4 part harmony.

CAROL OF THE DRUM – A song about a drummer boy who joined the procession to Bethlehem.

CHRIST CHILD IN THE MANGER – a piece by Kenneth Rothery, adapted by Malcolm Fairless for four part lower voices. This piece brings us directly to the nativity scene of the Christ Child in a place where he could ‘lay his head’ when no other place was available, surrounded by angels who sing of ‘peace on earth’. The song surmises that at this time nobody could have guessed the importance of this baby. The song features Carlton MVC’s basses as they plod playfully like a double bass through the final verse.

DECK THE HALL – our rendition of this traditional welsh carol works equally well opening a set as it does closing it. Its rising bright and quick piano introduction allows the choir to literally burst into song as it enters and sings out the lovely Christmas call ‘Fa la la la la!” as the piano runs away beneath us with gusto. A woozy middle section with a key change brings the pace down for a short while before arranger Alan Simmons changes the key once more into the final rousing chorus.

DO YOU HEAR WHAT I HEAR? – A beautiful Christmas piece with answering phrases.

FANFARE FOR CHRISTMAS DAY – this very short little fanfare is bright and harmonic welcoming in the season. It was written by the English Cockney composer Martin Shaw OBE (1875-1935). Martin Studied under Charles Villers Stamford and is the uncle of Sebastian Shaw who played the unmasked Darth Vader in Return of the Jedi! The piece was written in 1922 but first published in 1928 as one of over 300 works from this prolific composer.

GO TELL IT ON THE MOUNTAIN – an outstanding piece which is tricky in nature to carry off.

LET THERE BE PEACE ON EARTH – a cracking piece wishing for an ideal world.

MARY’S BOY CHILD – the Bonny M classic arranged for choir. This version highlights the vocal talents of a soloist with the choir humming gently underneath and then answering in a vocal swell.

MASTERS IN THIS HALL – a lesser known but majestic carol. The carol was written around 1860 by the French composer Marin Marais and formed part of his opera ‘Alcyone’ a story based upon Greek Mythology. English lyrics were written independently but around the same time as the music by the English poet William Morris (pictured) and are said to be sixteenth century in feel; bringing warning to “the proud” of news brought from over the seas that Christ was born and that nobody should be sad on Christmas Day or the proud will be “cast a-down”.

MISTLETOE & WINE – a bit of Cliff Richard.

O COME, EMMANUEL – a gorgeous piece composed by Elaine Hagenberg that is wonderfully etherial and chant like. Based around the famous Advent Hymn: O Come, O Come, Emmanuel.

O HOLY NIGHT! – the UK’s most favoured Christmas carol ever, sung delightfully by our own tenor Terry Grey with understudy Andrew Moffatt standing by. This arrangement is to be savoured and not rushed and the power of the choir must be impactful and astounding when the lyrics demand but yet diminishing to a whisper when we hear the words ‘Christ is born’. The power of this piece is accentuated superbly when sung by lower voices.

QUEM PASTORES – the famous melody in 3/4 is decorated with lovely piano accompaniment and a beautiful and soft choral delivery of the lyrics “Shepherds worship and adore him, lay their humble gifts before him”.

RISE UP SHEPHERD AND FOLLER – this little spiritual in the Dorian Mode is underlaid by the baritones and basses rising up and down in thirds whilst our tenors provide the traditional melody. It tracks the shepherds as they are encouraged by the angels to follow or ‘folder’ the star in the East, the choir (of course) takes the voice of the angels.

SAVIOUR’S DAY – a bit more of Cliff Richard

SCHNEEWALZER – a romp of a piece where the audience have as much involvement as the choir.

SEE AMID THE WINTER’S SNOW – A traditional carol performed ala male voice choir.

SILVER BELLS – a song composed by Jay Livingston and Ray Evans and made famous by Bing Crosby and Dean Martin, the song is in four parts and imitates the muffled bell across the choir.

SUSSEX CAROL (ON CHRISTMAS NIGHT) – a joyful 6/8 traditional carol in the feel of two beats, the lyrics describes Christians singing on the news of the holy birth. This piece employs a beautifully flowing accompaniment of fast right hand movement over chords and verse 3 counterpoints two melodies and lyrics together with sheer delight.

TE LAUDAMUS – the story of Joseph and Mary travelling to Bethlehem.

THE CHRISTMAS SONG (CHESTNUTS ROASTING ON AN OPEN FIRE) – Few songs capture the spirit of Christmas quite like The Christmas Song. With its vivid winter imagery and glowing sense of nostalgia, the piece invites listeners into a world of fireside warmth and seasonal reflection. Since its first performance in 1945, it has become a festive standard, famously associated with Nat King Cole, whose smooth interpretation helped cement its place at the heart of Christmas music.

THE STAR CAROL – A wonderful piece to perform at the Christmas season.

THE VERY BEST TIME OF YEAR – a relaxed, smooth piece with luscious and intricate harmonies by John Rutter (arranged by Alwyn Humphreys) who is synonymous for his Christmas repertoire. The song sets the visual scenes that make up this ‘very best’ time of year – Christmas!

WHEN A CHILD IS BORN – Alan Simmons’ arrangement of this famous Christmas song by Zacar/Fred Jay provides the wonder of the season although it never mentions the baby Jesus it hints massively at the story of Christmas.

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